The second best album of Tom Zé. It is difficult to comment on the music of Tom Ze, there are many concepts available to compliment your music. The composition of the creative value outweighs any technical aspect, and we are left to say is, alone, what a beautiful thing!
This is an interview of Tom Zé in Roda Viva, is fascinating!
http://www.youtube.com/watch?v=oGis3wxKWbk
From: Sergio de Oliveira ( sergio_at_signuseditora.com.br )
Date: Wed November 14, 2001 - 11:02:28 EDT
Show do Tom Zé and Gereba, recorded on tape, in Sao Paulo, the Teatro
Caetano de Campos, Barbosa Adoniran for the project in June 1990. At
season, was released on LP. In some galleries of downtown Sampa can
find the generic, as in CD.
Below is the track where Tom Zé explains how he was born "If the case is Crying."
Hilario, educational and enlightening (the parts in brackets are mine).
- Incidentally, this song is any plagiarism. It's good to take the opportunity
to tell you the wrong side of history. This song was a hit,
was the first stop of success in Brazil for half a dozen
week for a whole year almost, in 1973, and this song is any plagiarism.
The idea of \u200b\u200bmaking an entire song plagiarism was born because of a song
earlier, that people of my age I remember, which is that
funky chicken that went like this:
(singing)
Step by step, arm in arm
A smile, a silence
Seven o'clock, eight days
Nineteen, came to see
- This song won a festival of Hebe Camargo [?] The first place. And
out there in Estadinho [Jornal da Tarde, younger brother of the Associated Press] in section
The Reader writes, "there was written this:" The music of Tom Ze 'Silence We
Two 'is plagiarism Garcia Lorca on page such that ...". I said, ditch me
Our Sinhor, corremo for the house, take the Garcia Lorca, were there in
page and hum ... there was also the word bush. Then all well. But I
said so, dear! Is a great idea to do a song that is all plagiarism.
I started thinking about it and remembered this line [playing a string
harmonic on guitar], which is the study number 2, of Chopin. You already know
it in other Brazilian music, the same thing too, but rap is
different [playing the same sequence, but with one taken from bossa nova, and
starts singing 'Follies', Tom Jobim. Laughter in the auditorium
to notice the similarities, hitherto unrecognized]. Harmony is the same. So
got that line and put extra ... The way I remembered that Carlos and Antonio
Jocafi at that time gave the rules of the national market with that kind of thing
: the first part less [harmonically speaking], with the syntax of
English more or less strange, looking like a practical thing kind
light of the club, so symbolically, metaphorically, one needed to say
anything, just have a little pain and such, and love here, love for there, then
I started building this structure, which means absolutely nothing
pay attention:
(singing)
If the case is to cry, make you cry
If the case is to suffer, I can die for love
Dress all my pain, in his blue suit more
Remaining dilemma in my eyes from laughing or cry
- In the end, I had come to put this: "Leaving my eyes ... hollow
from crying. "My wife said," So, neither, so it is
esculhambação, nobody will take you seriously. Hollow eyes from crying?
Hell, you're crazy? Have patience ..."[ laughs]. Then I changed the lyrics
and Perna, my partner [Antonio Perna Froes, pianist who arrived in Bahia
monitor the entire constellation of Bahia at the time], I was here in San Paul and
gave me the idea of \u200b\u200bthe second part, He said: "It's a Beatles song -
Beatles, no Rolling Stones, an imitation of the Beatles that
time - a business that speaks more or less so, let my heart bleed, a
business well, then he gave the idea :
(singing)
Love, let my heart bleed
Prá so much pain, nobody gives way
Love, let me bleed like
Prá so much pain No one has breast
If the case is cry ...
- Now the second part is a collage, I have no say. All
music of others, see if you find out, I joined the music hits
other [laughs]:
(singing)
Today I am the one who pays, remorse may
The stars of heaven also reflect on the bed
At night in the mud at the bottom of the cup
Review friends I came with my guitar
let Love (Come , now?) bleed my chest ...
[And the audience came with the weight of the creation wizard, which makes everybody
fun like children, laughing at our own ridiculous and our ability
to indulge in the clichés, the pre-done]
http://www.samba-choro.com.br/sc/tribuna/samba-choro.0111/0372.html
01 - Happy End
02 - Frevo
03 - Nanny
04 - Tomorrow Morning Girl
05 - Pain and Pain
06 - Citizen Lord
07 - The Fight of the Building Italy with the Hilton Hotel
08 - The Host
09 - The Pineapple Irará
10 - Sandalwood
11 - If the Case is Crying
12 - Color Blind Painter a
Download http://rapidshare.com/ #! Download
Investment Capital
Overseas
Overseas
2. Truth
3. Freedom 
4. ( armed 
) Peace 5. Civilisation 6. Democracy 7. The
Song
Song
Of
The Martyrs 8. Law 9. The
Song Of
The
Monopolists 10. The
Song Of
The
Dignity Of Labour Under Capital 11. Albion ,
Awake ! ( times
unavailable ) - Fred Frith / guitars , violin ,
keyboards - Chris Cutler / drums , percussion - Dagmar Krause / vocals
+ Etienne Conod / engineering , mixing
Download http://lix.in/-51f2df ou http://rapidshare.com/#!download
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